It finds he’s a different man than he was before his diagnosis, at once both more delicate and more powerful than ever - attuned to nature for the first time in his remarkable life, and finally able to hear some kind of harmony between how finite we are and how limitless we feel.įrom “It’s a Wonderful Life” to “Wings of Desire,” and from “Ikiru” to “Fearless,” there have been any number of movies about people who find a permanent clarity after their brush with death: “Coda” is not one of those movies. Folding five years into 100 minutes, Schible’s directorial debut focuses on the souvenirs that Sakamoto picked up along the way.
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“The Revenant” is a journey back from the dead that the film documents with the same atemporal sparseness that shapes the composer’s music. It’s the sound of someone finding a way back to their body by listening for its place in the world around them. Piano strikes are distorted until they rumble like rolls of distant thunder, while urgent strings press into the mix with such force that you can almost hear the first bloody streaks of orange sunlight creeping over the horizon and calling you home. It’s a spare and haunted piece of work, punctuated by great silences that reflect the chaos of nature, as unpredictable and inviting as the surface of a frozen lake. Less than six months later, Sakamoto finished recording one of the best film scores of the 21st century. “I couldn’t say no to because I admire him too much.” “I’m supposed to be on a hiatus period,” the musician can be heard confessing in Stephen Nomura Schible’s profound “Ryuichi Sakamoto: Coda,” a meditative new documentary about his life.
RYUICHI SAKAMOTO CODA STREAMING MOVIE
tomorrow, if possible - to discuss scoring a movie called “The Revenant.” Gaunt, sore, and weary just from waking up, Sakamoto accepted the invitation.
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The following spring, after Sakamoto completed an intense round of chemotherapy (and completely scrapped the album he was writing prior to his diagnosis), he received an urgent phone call from director Alejandro González Iñárritu asking him to fly to L.A. On July 10 of that year, Sakamoto made his illness known to the public, releasing a statement in which he expressed his need to take a break, and apologized “for all of the burden I will undoubtedly be casting upon everyone who has been working with me on various projects.” In June of 2014, the famed Japanese composer was diagnosed with Stage III throat cancer. Ryuichi Sakamoto: Coda is a gentle and reflective portrait of both the artist and the man.Ask Ryuichi Sakamoto if a movie saved his life, and he’ll say yes. Granted unprecedented access to Mr Sakamoto's life and work, Stephen Nomura Schible's sensitive and illuminating film stands not only as a portrait of an extraordinary career, but as one of the most intimate examinations of the creative process ever committed to film. As Mr Sakamoto returns to music following his battle with throat cancer, his haunting awareness of his own life crisis, as well as that of his country and the whole world, leads to a creation of a resounding new masterpiece. A constant innovator, Mr Sakamoto’s music has evolved in lockstep with his evolution as an artist and thinker.įollowing the Fukushima nuclear disaster, Mr Sakamoto became an iconic figure in Japan’s social movement against nuclear power and an unofficial spokesperson for the fear, anger and anxiety of the Japanese people.
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One of the most important artistic minds of our era, Ryuichi Sakamoto has had a prolific career spanning over four decades, from techno-pop star, to actor, to Oscar-winning film composer.
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'A portrait of an artist that's nearly as powerful and necessary as the artist himself.'